Spotlight: Screen Writing
FADE IN
INT. CLASSROOM - DAY
The room is average size, stocked with chalk, crayons, charts, the materials you would find in a third grade classroom. It seems like the kind of classroom that would have internet access, but maybe not.
WARREN, the teacher, looks somewhat capable. But maybe not.
The students - MIRANDA, KYLIE, BEA and GABE - appear wildly capable. We’ll see.
WARREN
I have to do this blog-thingy. You know, about stuff you’ve learned in class.
Students groan.
WARREN
They want to know if you’ve learned anything.
Another groan, deeper and longer.
WARREN
What do you think? Have you learned anything?
BEA
Ah...
KYLIE
Sort of.
MEREDITH
Guess so.
GABE
Have you seen Arrested Development?
WARREN
No.
MIRANDA
Every film must have a protagonist, a hero, someone the audience follows.
GABE
It’s his, the protagonist’s, story.
KYLIE
Or her’s.
GABE
Right. That’s what I meant. His or hers. Have you seen Whiplash?
WARREN
No.
BEA
Every protagonist must have an objective. Really important, the objective.
MEREDITH
Something he or she wants. That’s the objective. Like in Up, Carl, the old man, wants to go to Paradise Falls.
KYLIE
In The Wizard of Oz, Dorothy wants to go home, Kansas.
GABE
Some films don’t have a protagonist with an objective.
WARREN
Name one.
Gabe gives Warren a dirty look. Gabe’s thinking.
BEA
The protagonist must be passionate about the objective. Going after it makes her active.
KYLIE
And the protagonist must be active, which is why the writer gives her an objective - something to chase.
GABE
An inactive protagonist is boring. Have you seen Pulp Fiction?
WARREN
No.
MEREDITH
I like the Inciting Incident. I didn’t know about that before.
GABE
(bored)
The inciting incident happens near the end of act one. It sets the story in motion.
BEA
It changes the protagonist’s life forever, nothing will ever be the same.
MEREDITH
Romeo sees and falls in love with Juliette.
KYLIE
Shark eats girl. The sheriff’s life will never be the same.
GABE
Have you seen Jaws?
WARREN
No.
BEA
Legally Blond, her boyfriend breaks up with her. He’s going to Harvard Law School. So, she goes after him.
MEREDITH
Girl wants boy. Boy’s the objective.
KYLIE
Inciting incident and objective all wrapped up in one. Cool.
WARREN
So, act one - meet protagonist, set up objective, nail down inciting incident.
KYLIE
Act two is just obstacles, a bunch of stuff that keeps the protagonist from reaching the objective.
GABE
Weird, the writer gives the protagonist an objective. Then, makes it nearly impossible to get.
WARREN
All drama is conflict.
BEA
The antagonist tries to stop the protagonist from reaching the objective. More conflict.
GABE
Also, the protagonist should have a flaw, which he or she corrects in the second act.
MEREDITH
Carl is, like, a mean old man at the end of the first act.
WARREN
And by the end of Up?
KYLIE
He’s like a father to Russell.
GABE
What’s the objective in Jaws?
WARREN
The shark. What else could it be?
GABE
Thought you said you hadn’t seen it.
Warren glares at Gabe.
Meredith snickers.
Gabe looks like he just scored a goal.
WARREN
Want to watch Spider-Man?
MEREDITH, KYLIE, BEA
Yeah, cool.
GABE
Have you seen Spider-Man II?
WARREN
No. Hey, think the other classes wish they got to watch movies during class?
KYLIE
Are you kidding?
BEA
Of course. They’re, like, dying.
GABE
Can we watch Spider-Man II next?
WARREN
No.
Warren puts DVD in.
WARREN
So, you did learn something?
KYLIE
Maybe.
MEREDITH
Guess so.
BEA
Sort of.
GABE
Can you go to wide screen?
FADE OUT
THE END